heavier rock styles and fluid lead playing, I use the bridge pickup, which sounds very good, and with the switch we can make it brighter and more aggressive. After the first tests following the modifications, the guitar took on a whole new dimension. I’m very happy with the result and I highly recommend APG pickups. Mr. Andrzej is a very friendly person with extensive knowledge of both guitar tone and guitar construction, which means that you can learn a lot simply by talking to him. Highly recommended. Zdzisław Sołowiej
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e at the neck, in the version designed for 500k pots (somewhat similar in character to a P-90). And honestly, it sounds absolutely beautiful. I’m very happy with the result. These are yet another set of pickups from APG in my guitars.
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setting. The power and knowledge of Andrzej. Hell yeah. Run to Poliakow as fast as you can. I wholeheartedly recommend it. Pastyl
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me now, I have been building semi-hollow-body guitars because they have a more “open” sound. They are also perfectly suited to solid-body guitars. The ability to switch from series to parallel operation is absolutely fantastic. In series mode, the speaker delivers a whole spectrum of sounds that puts a big smile on your face. But switching to parallel mode brings you right back to the true character of a single-coil, with the invaluable advantage that there is no hum!!! Of course, you can use noise gates, but as we all know, even the best ones can cut off the initial attack of the note. In my opinion, that essentially disqualifies a noise gate as a solution for a true single-coil. With these pickups, even with a strong overdrive, rolling the volume down almost all the way transforms the tone into a saturated, “wire-like” clean. But hit the strings harder and the lions sleeping somewhere inside the guitar body suddenly wake up. Of course, this will only work if you use what is commonly known as a Tone Bleed — a resistor and capacitor connected in parallel across the volume pot, between the input and output of the guitar signal. Guitarists who play through tube amps at high power and fairly high volume, however, don’t always like this way of cutting the low end, because the tubes themselves seem to compensate for this effect. Another advantage of these pickups is that they can be used with both 250kΩ and 500kΩ pots. Naturally, each pot value gives you a different sound, so you have to try them in your own guitar and see which works better for you.
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. I tested many different pickups, and there was always some kind of compromise — more glassy and wiry split tones at the expense of the humbucker sound, great humbuckers whose individual coils sounded completely characterless or had a very low output. Not to mention having to take the winding and polarity of every coil into account to make sure as many of the possible combinations as possible would remain hum-free in the final setup. I had almost given up on the idea of achieving what I wanted. But while looking for interesting solutions and new pickup technologies, I came across APG pickups. Based on the description on the website, the Stratobucker Dual Tone set, with a noiseless Stratobucker single-coil in the middle position, seemed to be exactly what I was looking for. I had just picked up my guitar after having these pickups installed, and when I plugged it into a tube amp, my jaw dropped. The Dual Tone pickups in single-coil mode sound exactly the way I would expect good Stratocaster single-coils to sound, especially in positions 2 and 4 combined with the middle single-coil. The HB mode also completely meets my expectations. It delivers a convincing humbucker character even though the pickups are in a single-coil format. In this mode, you get a warmer tone and higher output; you lose some of the typical glass and wiriness of a single-coil, but the pickups remain clear and articulate, just as a good humbucker should be. The output is somewhat higher, but not enough to require you to immediately change your amp settings. With the right electronic configuration, in addition to S-S-S and H-S-H sounds, you can also get both outer humbuckers working together — in the style of Gibson-type H-H or superstrat configurations — or an S-S combination similar to a Telecaster. It’s also worth mentioning that all pickup combinations remain hum-free in every mode! By installing these pickups in a superstrat-style guitar, I ended up with an instrument that allows me to play virtually any kind of material without compromise. Maybe with the exception of the most extreme metal — but with the right gear, who knows? 😉 I wholeheartedly recommend them!
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original Gibson pickups. As we all know, no two guitars are the same, because wood never grows in exactly the same way throughout its life. Even wood taken from the same tree trunk can have different acoustic properties. That is what still makes this work so fascinating — in reality, no luthier can know 100% what the final result will be, even though experience should give us the ability to get as close as possible. I can wholeheartedly recommend basically all APG pickups, but these are particularly well suited to Les Paul-style guitars, as I mentioned at the beginning. Have a nice sound!
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lear “glass” tone — and most importantly, that wonderfully quiet silence in every position!!! 🙂
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t sounds great in both coil configurations: parallel and series.
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